Tuesday 2 February 2016

"Stoner" by John Williams - January 2016

One member of our group started our discussion by saying that she bought her own copy of the novel a couple of years ago after hearing about it on the radio. Everyone was going on about how marvellous it was. She started it but found it too depressing so put it aside. As a result she groaned on discovering that this was our book for the month. However, this time she not only stuck with it but really liked it. She found it a good portrait of someone sleepwalking through life; someone who was more acted upon than acting.
The group as a whole concurred with this view. Many wondered if people would or could really live as Stoner has done. Would they have continued with the marriage, how would they put up with the wife?

Another reader commented that he so loved the first few pages that they made him want to dive right into the novel. He loved the clean writing, no wasted words, no unnecessary description. Everyone was impressed by William’s ability to create startling, vivid and believable images of people, places and relationships with few words. Nothing was wasted, every word counts. Descriptions of the view from a window were perfectly done; faces came alive.

We had a lively discussion over whether Stoner’s life should be seen as tragic. Most regarded him as a failure of a man. Why did he not stand up for himself? It was also a portrait of the time. Stoner’s affair with Katherine would not raise an eyebrow now. Should Stoner have fought harder to keep her in his life? The same question was raised about Grace. Hers is the most tragic decline. Stoner had such a close relationship with his young daughter yet he allowed that to be taken from him. He allowed his wife to take over just as he allowed her to evict him from his own study.

The submissive pattern continued with his work. Stoner allowed Lomax to marginalise him, to overload him with more junior teaching, keeping him too busy to pursue further research. Stoner only stands up to Lomax at the end of the novel, when it is almost too late.
This however is the key to Stoner. His true love was the academia, the university. His role as a teacher was absolutely core to his being. Even with Katherine he remained a teacher, as evidenced by the dedication of her book to him. He was always happy and fulfilled in that role, academia, books, English literature did not betray him. A shy, unconfident farm hand managed to find a true love and passion that sustained all his life. From that perspective his tale is less tragic. Ultimately however it remains a tale of a life not (fully) lived.

The male readers found themselves annoyed with Stoner’s failure to stand up for himself. It is interesting that despite the huge popularity of Stoner across Europe when it was “rediscovered” recently and rave reviews by journals such as the New York Times, the book did not achieve great success in the USA either first or second time around. Was Stoner seen as too much of a failure as a man to be popular with an American audience?

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